Author Note: This story would be partially written with French dialogue, and partially with Japanese dialogue. Border regions is where a modification of French that eventually gave birth to Fraponic, bared its initial fruit. The lettering is meant to flow like a vocaloid. Name wise I may end up giving the man a French name, and the girl would have a French or German first name, and Japanese last name.

PAGE ONE: One man and one woman work as concept artists for a Franco-Japanese animation studio. The man, along with his best friend, frequently look for her knowing she can always be relied on to have a beautiful butt. But also know the cultural differences between her and them would make the relationship with her work with neither men, as she comes from French-America and them from Japanese-America.

Panel 1. The main male film maker, visits his friend in his cubical.
Panel 2. He shows him one of his sketches of the girl they both look like, nude under a feudal Japanese style lamp in a fusion of French impressionism and Japanese Sumi.
Panel 3. The friend comments how the beautiful shape of his women always show through the abstract mixture of water and ink.
Panel 4. Both men sneak a peak at the specific woman taking a shower.

PAGE TWO: The Franco-Japanese wars had also led to many French people being contained in Japanese containment facilities, where they would be experimented on. What would of the men doesn’t realize, is he and share a common bond neither may realize, and was why he became a film maker to begin with. To tell the story of his own containment, and attempt to free French prisoners of the war.

Panel 1. As they return to their cubical, his friend asks him if he wants to work on a side project with him, and it would be an Indie comic.
Panel 2. He asks if whether his abstract style would be a good fit, consider the normal look that most Japanese manga tends to take.
Panel 3. The friend reassures him that this would be find, and that he could reveal a part of himself inside of those pages.
Panel 4. The man reveals to his friend that part of the reason he became a concept artist, was that he wanted to tell his own story of surviving French-containment.

PAGE THREE: The man remembers how he had originally worked as a military scientist, and attempt to find Japanese people to experiment on, and how his facility sent him on a suicide mission without him realizing this was the intent. When he returns with captives in tow, trying to make their lives as pleasant as possible given the circumstance, they find their unable to get back in, and must rely on breaking into the facility.

Panel 1. The man, as a military scientist for French controlled America, is operating equipment evaluating human DNA samples.
Panel 2. Eventually he asks what the eventual results of the experiment would be, and the boss said that he couldn’t tell him as it could compromise the war effort.
Panel 3. He then gently nudges that if they don’t know, how would they know what to work toward.
Panel 4. Eventually he and a small team of scientists arrive in a border town between Japanese and French-America thought of as the “Alsace” of North America, where the culture of Japan and France blends.
Panel 5. Here he captures men and women in the town square, including bakers and butchers.
Panel 6. One of the girls, is notably of more Japanese appearance than the others, but has the blond hair of this region, wearing a large bow.
Panel 7. Other scientists return at night, and told to leave him behind, as he questions their mission to much.
Panel 8. The man and his team of captives break the windows of the less guarded portion of the facility.

PAGE FOUR: Once they achieve this, the scientist staff attempts to capture them, and him assuming that he has been influenced by those he has captured. Eventually they reveal to that, indeed he was never in fact meant to return, and him along with his captives are sent to be experimented on as test subject for diseases by the French military against the Japanese forces.

Panel 1. They are captured by the night guard, who bring them to the prison complex.
Panel 2. Each member is kept in their own sell, with notably better conditions than how the Japanese forces kept war prisoners.
Panel 3. The Japanese girl is the women’s complex, where she sees some women taken to the guillotine for working with the Japanese forces. The man on the other side receives a private letter telling him of the stakes.
Panel 4. Here in the containment facility, he plans their escape from the facility, saying that he knows some of the people that hold them captive.

PAGE FIVE: Here, he and his captives work to together to break out of the facility, with one of the women secretly being the fellow French film maker, hidden among the group. Be he is unaware of who she is at the time. Eventually they are able to hold the scientists hostage, and the French military agrees on terms of release.

Panel 1. The Japanese her French comrades break out of the women’s facility.
Panel 2. The man helps his comrades break out of the facility.
Panel 3. They try to hold one of the scientists that ratted on them to the night guard.
Panel 4. One of the scientists, his cubical mate, gives the staff a cover story for where him and his prisoners went, hoping it will buy his friend enough time.

PAGE SIX: Eventually he and the woman as part of separate freed prisoner groups, go on to become film makers of a Japanese Animation studios, whose main claim to fame is exposing French war-crimes to justify the Japanese invasion of French-American territories to claim territory for themselves to own more parts of North America.

Panel 1. Although they never met, they had in fact secretly worked together to make the move to Japanese regions of north America more safe. The man lives near where the Japanese version of the Eiffel tower resides.
Panel 2. The next morning, he shows his friend some character designs, and is told exceeded his wildest expectations.
Panel 3. He and her met one evening, recognizes each other by their accents, and chatted at the coastal theme park. She would reminiscent about the food she missed.
Panel 4. Both he and she survived the ordeal of the night guard, where France was also trying to get to military cyborgs first.

PAGE SEVEN: Here they finally have a conversation, and start dating off of work when working for said studios. As it turned out, her mother was Japanese and her father French, similarly to him, and that made it easier for them both to assimilate into the new culture, that otherwise views French people as less than them during the wars.

Panel 1. The man, the next day, asks if he could request an additional team mate.
Panel 2. The Alsatian-American girl, of Japanese descent, joins the team.
Panel 3. They complete the independent comic series, and is then later accepted for syndication, and later adapted as an animation by their same studio.
Panel 4. The man and woman return to visit each other near the coast of California, and see French forces attempt to reclaim territory from Japan.
Panel 5. Instead the Japanese unleash their human test subjects, that are part human and part machine to hold the line.
Panel 6. The animation studio is placed under Japanese military protection, where they would help to produce propaganda for making “peace.”